Showing posts with label nashville. Show all posts
Showing posts with label nashville. Show all posts

Friday, August 7, 2009

Country Dignity

Where are the real people in country songs? Where have they gone? There's dignity in country people. Yes, they have trucks and muddy jeans out there, although most Music Row songwriters apparently never leave their condos long enough to see for themselves. If they did, they'd meet someone rather surprising.

Country folks have hearts and souls. They rescue the lives of colts and calves birthed in breach. They fix the roof and dig the well. They save and sacrifice to marry off daughters or pay their college tuition. They send sons to war or give them a parcel of the family land to farm. They stop and talk with strangers while they mend fences. They raise a neighbor's barn and lend tools to each other. They tell very funny stories. They grow strawberries and give hayrides at Halloween. They aren't always drunk at the bar down the road or drunk at the lake. Where are the real people in country songs?

I believe a songwriter should be a poet. He should speak the timeless truth and find the wisdom in simple actions. A song lyric doesn't need to lead the listener down the path like a dumb cow on a tether. It can be an invisible sword that wounds the heart without drawing blood.

By contrast, here is the kind of cheap limerick-verse we get from Nashville these days:
There were two karaoke girls drunk on a dare
Singing "I Got You Babe" by Sonny and Cher

Yeah, life was good everywhere

My reaction to these lines is that life is pretty pathetic in some places. This is, in fact, what urban people do when they have no life. What about the stuff that really makes life good everywhere? Why does the working stiff need to aspire to this obnoxious spectacle on a Friday night? Can't he, for once, go to a town meeting and debate healthcare reform? Or do you think he's too stupid to do that? Go on, urban cynic, poke fun. Let's see you dismantle a tractor engine and have it running by sun-up. Let's see you run a family business on fumes and a prayer.

The rule of thumb in Nashville is: make her crude, make him dirty, put them in a truck (with a six pack sometimes), and it's a country song. Keep listening to country radio and you'll hear plenty more where that came from:

She wants her nails painted black
She wants the toy in the crackerjack

She wants to ride the bull at the rodeo

She wants to wear my shirt to bed

She wants to make every stray a pet

N' Drive around in my truck with no place to go
Real or bogus? "Wanted desperately: one goth redneck woman. She must have no idea what fun is, and prefer being thrown from a 2000 pound bull at the end of the date. I will shower her with little plastic Crackerjack toys (hopefully one will be a ring!) and affection. In return for winning my heart, she can waste my hard earned pay on $3 per gallon gas driving around aimlessly in my truck (which I never need), and keep every animal she finds along the way. Waiting anxiously for the woman of my dreams!"

It's time to call this what it really is: bogus parody- and cynical parody at that. Let's bury it. Let's pronounce it dead. It's anti-poetry, anti-heart, anti-reality, and anti-country.



copyright 2009 craig bickhardt

Tuesday, January 22, 2008

6 Tips For Surviving A Visit To Music Row


Buy A Trampoline


and get used to bouncing around...that's my daughter in the pink bikini.

Take The Opinions With A Grain Of Salt

You'll hear a mountain of differing opinions in Nashville. It's very easy to get led astray. Remember that all of the breakthrough acts, blockbuster hits, and trend changing events in the music industry were totally unpredictable. Anyone who thinks they understand a demographic or thinks they have a formula for success is proved dead wrong in the end. The most successful people ignore opinions most of the time. They stubbornly believe in what they do and pursue their own path with determination. The confrontational nature of Nashville is designed to put off people who lack self-confidence. You have to decide for yourself whether you have the talent and the goods. Go to Music Row with an open mind but don't expect it all to make sense. Learn to laugh at the absurd contradictions and you'll be healthier.

Understand What The Code Words Mean

"Too safe" - means : "I've heard this idea a thousand times and there's no way you'll ever impress me with it".

"Not right for this artist/record" - means : "I don't like your song right now, but I might be having a bad day so you can bring it back next year".


"You're close" - means : "I've criticized you too much already so I'm trying to be nice and this is the best I can do".


"I'll take a copy" - means : "I don't want to make up my mind about this song right now so I'll put your CD on the floor of my car until I do".


"I'd like to put this on hold" - means : "I don't want anyone else to grab this song before I have a chance to get a second, third, and fourth opinion about it".


"I love it" - probably means : "I'll love it until either the second, third, or fourth opinion tells me they don't".


Leave The Personal Songs At Home

All of us write personal songs sometimes. We experiment and probe our psyches and write cathartic tear jerkers that no one else will ever want to sing. Leave those songs at home. You're only asking for a deep wound if you play them for busy industry people. You may dearly love these songs. They might be like children to you. But if they aren't what Music Row is looking for, you won't feel much love.

Avoid Burnout

Don't try to see too many people and attend too many writers nights. You'll be overwhelmed and probably feel like a drop of water in the ocean. One or two appointments and one show per day will give you plenty to ruminate on. It's a mistake to cram two co-writing appointments into one day, also. This may give you a false sense of accomplishment, but I doubt very much that those songs will get recorded unless you've had several brilliant moments in your day. Most of us are lucky if we have a few brilliant moments in a year.

Stay focused On Your Best Work

Don't come to town with a dozen songs and try to get a reading on all of them. Do some of the screening in advance. Choose 3-4 of your very best commercial songs and concentrate on pitching/playing/critiquing them. You'll get 20 minutes in a meeting, that's all. It's barely enough time to say hello and play 4 songs.

copyright 2008 by craig bickhardt